Ability to double click a clip in the timeline to rename.Ability to ctrl-alt click to remove gain and elastic wave keyframes. Improved meters with configurable decay, peak hold and display modes.Improved behavior of automated tracks under VCA control.Independent controls to enable automation and expose parameters.Native support for Dolby Atmos production for Linux and Apple silicon.*.Improved Dolby Atmos immersive mixing, including Binaural monitoring.*.Improved quality for time stretched audio.Ability to nudge custom millisecond or sub-frame intervals in the timeline.Ability to freely order tracks and buses in the mixer via the track index.Ability to convert fixed bus projects to FlexBus in project settings.Sizing awareness option in Resolve FX lens flare and radial & zoom blurs.Green-purple control for Resolve FX Chromatic Aberration.New bokeh preset for Resolve FX Lens Reflections.Option to composite from a second input in Resolve FX Transform.Improved edge strength and filter controls in Resolve FX Edge Detection.Improved Resolve FX Beauty with new ultra mode.New Resolve FX Surface Tracker for tracking warped surfaces in Studio.New Resolve FX Depth Map to generate 3D depth based keys in Studio.Reference gamut compression enabled by default in ACES 1.3.ACES support for Blackmagic Gen 5 camera formats.Add key mixers with auto-connected key outs from advanced panels.Support for bypassing color outputs from advanced panels.Dolby Vision highlight clipping support in advanced panels.Support for matte finesse and 3D qualifier in advanced and mini panels.Ability to trigger bidirectional tracking from advanced and mini panels.Support for syncing clip groups in remote grading sessions.Adjustment clips and Fusion generators can bypass color management.New object mask capability in Magic Mask.*.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |